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*>>ere not the only distinguished writers, artists, thinkers, Puritans, or hedonists of the time. After 1939 that phase of our civilization, sometimes known as the sunset of the high bourgeois culture of Europe, had clouded over. As the dramatis personae reappear in The Diary of Virginia Woolf, patiently annotated by Anne Olivier Bell, in the Letters, edited by Nigel Nicolson and Joanne Trautmann, and in Quentin Bell??s Life, their voi
*>>d later, in differing versions, by her auditors. Her letters were frequently dictated, and she necessarily used on occasion an impersonal official style quite unlike that of her more spontaneous and informal efforts. The editors have gone to a lot of trouble to get at what they think are the best copy-texts, sternly excluding anything of uncertain authenticity, such as her celebrated rebuke to the Bishop of Ely (??Proud prelate, You know what you were before I made you what you are now. If you do not immediately comply with my request, I will unfrock you, by God??). They decide that this is a fabrication,
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